If anything, these could do with a whiff of the fantastique to go with the gruelling, sustained abuse of (usually) women — though most French roughies still feel obliged to include philosophical underpinnings which might or might not justify the thuggish brutalism. Nevertheless, the next stretch of the film, in the mode of Ils or The Strangers, is effectively terrifying as la femme (seen first as a shadow-faced outline) comes to the door and makes threats, then isn’t around when the police respond to Sarah’s distress call.

'À l'intérieur' pulls off a surprising feat: it manages to take a concept that is, by its' very premise, provocative, and make it remarkably uninvolving. Najście (2007) À l'intérieur - Sarah spodziewa się dziecka. Dalle’s character did not have a realistic or developed psychological profile and her motives were, as you said, “laughable”. It concerns the attack and home invasion of a young pregnant woman (Paradis) by a mysterious stranger (Dalle) who seeks to take her unborn baby. Accentuate the rear of your ride with a Mustang Wing for a new aggressive look, or a rear spoiler for a more subtle look. Mustang Spoilers take your Mustang's appearance to the next level. Given that it’s not clear how she got into the house, it’s even possible that the witchy woman, who wears a long black antique dress with big sleeves all the better for hiding weapons in and has a wicked queen fall of dark hair, is some sort of spectre, but the film then segues into extremely physical stuff which goes against that reading.

What is the point of going through a grueling journey with these characters if nothing is going to come of it? Inside (A l’interieur) and film nihilism – SPOILERS. It’s hard not to feel suspicious about the fact that in both of these films women are the monsters or behaving monstrously and also the victims.

In a peaceful mountain town near a lake, the lives of people will gradually switch to terror, following the appearance of tragic and unexplained events.

(S1E2) - A l'intérieur : Angèle Maury découvre un élément troublant : Ana est née le même jour et la même année qu'elle. It performs this reverse alchemy by an unrelenting series of missteps, in both minor details and choices that the characters make, or don't make. Estoy sóla en mi casa la víspera de Navidad.

The final scene is of the unnamed woman in a rocking chair with the baby.In short, WTF? This is not to say that it’s never appropriate for a main character to die but rather that the dying should serve some purpose in the story other than proclaiming that everything is pointless and so we should all go at each other like animals.Happy and neutral endings are as much a part of real life as sad, traumatic and destructive ones.

Mi marido, y el padre de mi hijo, murió hace poco … $48.99. Relive the funniest moments that happened before the opening credits of "Want to share IMDb's rating on your own site? Dalle makes a wonderfully brutal hard-faced witch (she may be the scariest female monster ever) and Paradis is credibly distressed, but too much about these women is withheld from us. Le réalisme est de mise ce qui rend le film très pénible à regarder sans ressentir un minimum de dégout.

La Femme, with half of her face melted off due to an earlier self-defense attack from Sarah, cuts her stomach open with a pair of house scissors, reaches into her belly and pulls out the baby along with the surrounding viscera while Sarah squirms. There was alot of hubbub from international fans about how the original ending was better and that facile Americans can’t handle unhappy endings. In another context, incidents like a pregnant woman being repeatedly hit in the stomach with a truncheon would be unforgivably horrible – and, in this context, plenty of folks will walk out anyway. Ana's heart has been torn out. A young woman about to leave a psychiatric clinic is found dead. Dzień przed planowanymi narodzinami nachodzi ją upiorna kobieta z morderczymi zamiarami. I took this controversy for what it was worth – a bunch of smug Europeans lazily invoking the cliche of the bourgeouis, puritannical, multiplex loving American. I haven’t thought about what this trend means but it is precisely the type of cruel nihilism masked as a important social statement or realism that is pushing me away from this genre.I had a similar feeling after learning that the original ending of The Descent had the main character dying in the cave while hallucinating about her dead daughter. Who can she trust?